The titular institution in Yukihiko Tsutsumi’s “The Hotel of My Dream” is the go-to place for such habits. First opened in 1954, the Hilltop Hotel in Tokyo was a landmark for postwar wordsmiths, frequented by the likes of Yukio Mishima and Yasunari Kawabata. Editors reportedly used to mill round within the foyer whereas they waited for writers within the rooms upstairs to complete their manuscripts.
That’s the vibe Kayoko Nakashima (the single-named Non) is searching for when she checks in for an evening in 1984, bringing a fountain pen, a wad of paper and a few unfulfilled literary ambitions. Her fledgling profession has stalled since she gained a prize for brand spanking new writers a number of years earlier — one thing she blames on a scathing evaluation by bestselling novelist Munenori Higashijujo (Kenichi Takito).