Afflicted with painful endometriosis, which docs infuriatingly used to name “the profession girls’s illness” — Franklin recounts Jones bleeding profusely in her assistant’s cubicle, then going again to her desk — she was unable to conceive kids, which she wished badly. But the couple adopted two of a relative’s youngsters, together with them in adventuresome dinners. “That was imply of me,” she admitted, of serving tripe.
Franklin revels in all of the meals stuff, however doesn’t skimp on basic publishing historical past, like Jones’s apprenticeship to the colourful Blanche Knopf. (We’ll want extra time to contextualize current upheaval on the home.) Plath’s suicide got here distressingly quickly after Jones, who’d revealed her “The Colossus and Other Poems” within the States, had rejected her novel, “The Bell Jar.”
Lionized lately, particularly after launch of the documentary “Turn Every Page,” Gottlieb comes off right here as dismissive of Jones’s abilities. He referred to as her a “woman” with a “wealthy husband,” instructed her authors didn’t want a lot enter, and was defensive about underpaying her. She was not a “marcher,” as a colleague put it, however firmly feminist in her achievements, and remarkably tenacious in thoughts and physique, surviving a flash flood with canine in arms months after her widowhood.
I don’t thoughts that “The Editor” is a valentine. But surprisingly, given the richness of the fabric, I closed it feeling barely underfed, wanting extra butter between the slices of this large life. We study Tyler’s growth as an creator, for instance, however there’s nothing about her ’80s blockbuster, “The Accidental Tourist.” Jacqueline Susann would most likely dispute that Child’s then-publicist invented the trendy e-book tour. Jones’s failure to see the expertise of Alice Munro — twice — is alluded to within the introduction, however by no means defined.
And the editor herself would most likely have excised a couple of of her biographer’s clichés, the placing of gold and going over the moon and firing on all cylinders. But with the utmost tact, bien sûr.
THE EDITOR: How Publishing Legend Judith Jones Shaped Culture in America | By Sara B. Franklin | Atria | 336 pp. | $29.99