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Revisiting the Women Who Defined Lilith Fair’s Sound

Revisiting the Women Who Defined Lilith Fair’s Sound


Though music of Lilith Fair has an unfair repute for being smooth and maudlin, this hit from Sarah McLachlan’s 1997 album “Surfacing” — launched the identical month that Lilith Fair started — is a razor-sharp portrait of a person who wears his eccentricities on his sleeve. “You put on sandals within the snow and a smile that received’t wash away,” she sings in that chiming tone. “Can you look out the window with out your shadow getting in the best way?”

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Percussion rumbles like trembling earth in the beginning of this opening observe from Fiona Apple’s 1996 debut album “Tidal,” setting the stage for the introduction of a serious expertise. “This thoughts, this physique and this voice can’t be stifled by your deviant methods,” she proclaims, her phrases unfurling in a jazzy cadence. “So don’t neglect what I advised you, don’t come round, I’ve received my very own hell to boost.” Did she ever.

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Tracy Bonham telephones residence and tells her mom a cathartically screamed lie — “Everything’s high-quality!” — on this alt-rock gem that successfully captures the anxieties of early maturity. Its success can also be a stark reminder of how few feminine voices broke via within the years after Lilith Fair: When it hit No. 1 on Billboard’s Modern Rock Tracks chart (later renamed Alternative Songs), it will be the final track by a feminine solo artist to high that chart for 17 years, till Lorde’s “Royals” did in 2013.

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This bubbly 1996 hit by the Cardigans was unavoidable, and unimaginable to get out of your head, within the late ’90s. Though the frontwoman Nina Persson was the group’s sole feminine member, the Swedish pop-rock band was among the many headliners of the primary Lilith Fair.

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Tracy Chapman — who made a memorable look at this 12 months’s Grammys — was one other of the primary 12 months’s headliners. Luke Combs’s latest cowl introduced a brand new era of followers to Chapman’s 1988 hit “Fast Car”; now who’s going to deal with this bluesy rocker from her 1995 album “New Beginning”?

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Lilith Fair wasn’t all ’90s superstars. It was an intergenerational area the place youthful performers may meet and share the stage with elder stateswomen like the nice Emmylou Harris, who had just lately launched her pivotal 1995 album “Wrecking Ball.”

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Written by EGN NEWS DESK

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