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Newsboys’ Jeff Frankenstein on the band’s success and the Christian music trade

Newsboys’ Jeff Frankenstein on the band’s success and the Christian music trade


The Newsboys performing onstage throughout Franklin Graham’s UK tour.(Photo: Billy Graham Evangelistic Association)

(CP) In an trade infamous for its fleeting fame and fast adjustments, few bands have withstood the check of time fairly just like the Newsboys — and keyboardist Jeff Frankenstein believes the Christian music band’s longevity is because of their dedication to biblical fact.


“I feel our longevity is a testomony to our hearts and the place we’re as folks, as a result of it is very unusual in any style {that a} band would keep collectively for over 30 years,” Frankenstein informed The Christian Post.

“I feel that one of many cool issues about Christian music, versus pop music, is that everyone knows deep down that music impacts folks and has a goal and God gave us that reward. In a pop music state of affairs the place all the pieces’s about you and your profession, you’ll be able to see why these issues flame out so rapidly, as a result of they’re simply based mostly round both folks’s egos or simply selfishness. In this case, all of us have a standard goal the place we all know that music can actually change folks, as a result of we have seen it occur.”

Frankenstein has been with the band from its inception 31 years in the past, together with drummer Duncan Phillips and guitarist Jody Davis. DC Talk’s Michael Tait joined as lead singer over 15 years in the past, and extra not too long ago, Adam Agee, previously of Audio Adrenaline and Stellar Kart, joined the group.

“We’re a kind of bands that’s in a uncommon state of affairs the place we have now a black lead singer after which we’re white guys, and we have now folks from Australia and those that work in our workplace from different international locations. We’re a really form of multicultural band,” Frankenstein mentioned.

Known for hits like “We Believe,” “God’s Not Dead” and “Shine,” the Newsboys has earned 4 Grammy nominations, two American Music Award nods and a number of Gospel Music Association Dove awards. Last month, they launched their newest album, Worldwide Revival Part I, with half II coming in October.

Rooted in biblical rules and steeped in prayer, Frankenstein mentioned the album is each a mirrored image of the band’s enduring religion and a response to the anxieties of right this moment.

“We actually wished to take our time with this one,” he says, recalling the two-year journey that led to its completion. “There have been so many instances all through our careers the place we felt the stress of deadlines — at all times making an attempt to get to the subsequent factor. But this time, we wished each single music to actually converse out and have a poignant message.”

“When you journey as a lot as we do, you get a special view of tradition and other people,” he added. “We stare into the faces of 1000’s of individuals nearly each night time, and also you get the sense that folks do not at all times really feel just like the world is headed in an important course … all the pieces is grabbing for our consideration, however is it actually an important factor for us as a complete, as folks, as Christians? That’s the query we saved coming again to.”

It was this query that in the end formed the album’s thematic core. “The album is a prayer,” Frankenstein mentioned. “It’s a prayer to God to start out one thing on this world. People are hungry. They’re determined for fact. They’re crying out for one thing — they do not know what it’s, however they really feel it. And I feel making an attempt to place that feeling into music is form of what this album is about.”

The Newsboys’ newest single from the album, “In God We Trust,” is featured within the latest “God’s Not Dead” movie, hitting theaters Sept. 12. The newest installment of the collection — initially impressed by the Newsboys’ 2011 music — stars Dean Cain and David A.R. White and facilities on modern points associated to freedom of speech, non secular liberties and the position of religion in public life.

According to Frankenstein, the music is a reminder of religion’s enduring power, particularly in a world full of uncertainty. The music contains the lyrics “Some will belief in chariots of struggle/ Some imagine in nothing anymore/ ‘Cause kingdoms rise and kingdoms fall/ But there’s One who stands above all of them.”

“Our music is a mirrored image of our personal non secular journeys,” says Frankenstein. “Songs like ‘In God We Trust’ speak about how, as Christians, we see the world otherwise. We imagine within the forces of fine and evil, and that God is our solely hope.”

The artist mirrored on the pattern of CCM artists from the ’90s and early 2000s deconstructing their religion, from Hillsong’s Marty Sampson and DC Talk’s Kevin Max to Hawk Nelson’s Jon Steingard. Worship artist David Crowder beforehand opened as much as CP about his personal temporary “deconstructive second” after having a adverse “institutional expertise” with the Church.

As the son of a pastor, Frankenstein mentioned he is seen each the optimistic and adverse points of the Christian religion up shut. He attributed a few of these departures to adverse experiences throughout the Church.

“My coronary heart personally breaks as a result of I understand how deep and significant my religion is to me,” he mentioned. “I am unable to think about a world wherein I’d need to flip away from that. I’m not talking instantly about associates like John [Steingard] and Kevin [Max], however about anybody who decides to go away the religion.”

“I feel a whole lot of it has to do with actually dangerous experiences,” he mentioned. “I’ve been within the Christian music trade for 30 years, and to simply say that all the pieces’s simply squeaky clear and delightful and fantastic — we dwell in a reasonably damaged world. Humans are going to be people, and generally that is an unpleasant factor to see. People get harm, dangerous issues occur, and we have seen it in church management.”

Stressing that deconstruction “is not simply a problem in Christian music,” Frankenstein mentioned he tries to method the difficulty with compassion somewhat than judgment. “For me, there is not any judgment. I like to listen to what they need to say and see how I can enhance as a Christian,” he mentioned. “It’s a intestine verify for myself, not a judgment towards individuals who’ve made selections for themselves.”

Frankenstein credited his enduring religion to the optimistic examples set by his mother and father and different position fashions. “I used to be lucky to not see hypocrisy within the folks I regarded as much as,” he famous. “When Christians do see hypocrisy, they react otherwise. For me, it is a problem to evaluate my very own stroll with God and to make sure I’m residing out what I imagine.”

Looking forward, Frankenstein mentioned he is excited to proceed sharing the Gospel with audiences, encouraging them to face agency within the religion regardless of altering cultural tides.

For the band, sustaining the stability between scriptural soundness and broad attraction has at all times come straightforward, he mentioned, including: “We’ve at all times simply been ourselves. We don’t fret about being too Christian or not Christian sufficient. We simply do what comes from the center.”

“Once you report the songs, they’re probably not ours anymore — they’re our followers’,” he says. “It’s unimaginable what number of tales we hear from individuals who say our music has been a soundtrack to their lives. That’s what makes all of it price it.”

© The Christian Post



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